This afternoon was spent in the LCC/LCP archives. One of the most fascinating things was reading the various ways in which the typographic design course has been sold over the decades. But this cutting of poster, the back of which was used as a note, was too beautiful to ignore. Something about the unalienable beauty of print, something about how no matter how hard They attempt to usurp ‘the image’, to render the medium invisible, to hyperstitially manufacture worlds their own image, there will always be a material dimension; and that material dimension is something incredible.

This afternoon was spent in the LCC/LCP archives. One of the most fascinating things was reading the various ways in which the typographic design course has been sold over the decades. But this cutting of poster, the back of which was used as a note, was too beautiful to ignore. Something about the unalienable beauty of print, something about how no matter how hard They attempt to usurp ‘the image’, to render the medium invisible, to hyperstitially manufacture worlds their own image, there will always be a material dimension; and that material dimension is something incredible.

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